yale musicology faculty
He holds a B.M. His book,Â Ask the Experts: How Ford, Rockefeller, and the NEA Changed American MusicÂ (Oxford University Press) was published in 2020. This has taken his work in a number of different directions from Ancient Greek music to the Eurovision Song Contestâand even into outer space. GRAMMY Award-winning violinist Daniel Chong leads a multi-faceted career having concertized extensively as a soloist and chamber musician throughout the world. He leads the Holden Choruses in performances throughout Europe and the United States, in studio recordings, and collaborations with distinguished conductors, composers, and ensembles. His previous album, âTodayâs Opinionâ (Criss Cross, 2012), was selected as one of the Top 10 Albums of the Year by the New York Timesâ Nate Chinen. Anne C. Shrefflerâs research interests include the musical avant-garde after 1945 in Europe and America, with special emphasis on the political and ideological associations of new music. More information on studying musicology at the University of Hawaii-Manoa: Master of Arts in Musicology; ... Charles University, Princeton University, MIT, and Yale University, among others. Current ecological thinking has adopted post-human theories, such as Object Oriented Ontology (which is also a major influence on Critical Organology) and chronocriticism. and Ph.D from Yale in musicology as well as performing degrees from Indiana (MM.) Dissertations are from approximately 1950 to the present. Harvard Glee Club Paul and Catherine Buttenwieser University Professor Mailing address: Music Building / Harvard University / Cambridge, MA 02138 She has been a guest professor in a number of institutions, and has taught at the International Summer Course for New Music at Darmstadt since 1990. His research and critical interests, while currently focused on African American gospel performance, extend into media studies, sound studies, phenomenology, homiletics, and theology. Many of her writings focus on opera, from its beginnings around 1600 through the 21st century. Chase recently stepped down from the leadership of ICE to focus on her performing career and to make way for other long-term projects, including âDensity 2036.â This project will result in the commission of a significant body of new music for the flute over the next two decades, culminating in the commemoration of the one-hundredth anniversary of Edgard VarÃ¨seâs iconic solo piece, âDensity 21.5â of 1936. Her monograph Music, Ritual, and Falasha History (1986, 1989) won the ASCAP-Deems Taylor Award and the Prize of the International Musicological Society. His recordings with the Parker Quartet can be heard on the Zig-Zag Territoires, Albany Records, and Naxos labels. In 2015, Terry was named a recipient of the prestigious Doris Duke Artist Award. Creative Practice Critical Inquiry Graduate Advisor in Theory Upon completing her formal education, Czernowin undertook a period of travel and composition in Japan 1993-1995 (Asahi Shimbun Fellowship, NEA Scholarship) and Germany (1996, Akademie Schloss Solitude). A Congressional appointee to the Board of Trustees of the American Folklife Center at the Library of Congress from 2000-2013, she was Chair of that Board from 2002-2004. Simon Obert (Webern Studien, Beihefte der Anton Webern Gesamtausgabe Band I, 2012); âRhythmicizing the Subjectâ in Musical Implications: Studies in Honor of Eugene Narmour, eds. At Yale he studied composition with Jacob Druckman and Krzysztof Penderecki, and Schenkerian analysis with Allen Forte. Rehding is a music theorist with a focus on intellectual history and media theory. "Music on Location: Rhythm, Resonance, and Romanticism in Eichendorff’sÂ Marmorbild,"Â Modern Language QuarterlyÂ 70 (2009): 195 â 221. Herreraâs article in Ethnomusicology, âMasculinity, Violence, and Deindividuationâ was awarded the honorable mention of the Marcia Herndon Prize for studies on gender and sexuality at the Society for Ethnomusicology. A second monograph, Music and Monumentality (2009, pbk 2017), explored the imaginary connection between “big” sounds and ambitions of greatness in the music of nineteenth-century Germany. He has received recent commissions by the Yerba Buena Garden Festival (âNoches de Parrandaâ for 12-piece ensemble with the support of The MAP Fund), the French-American Jazz Exchange (âAncestral Memoriesâ with pianist Baptiste Trotignon and support from the Mid Atlantic Arts Foundation and Doris Duke Charitable Foundation), and the Harlem Stage (the score for the opera âMakandalâ, premiering in 2015). His research topics include Argentine and Uruguayan avant-garde music, soccer chants as participatory music making, and music and postcoloniality in Latin America. Graduate Advisor in Ethnomusicolgy Mr. Chong has received several awards and prizes such as the 2009-2011 Cleveland Quartet Award and top prizes at the Concert Artists Guild Competition, Young Concert Artists International Auditions, and the Bordeaux International String Quartet Competition. His current research interests include process philosophy, poetic prosody, and ecological and post-cognitivist psychology. Musicology at Harvard offers intensive training in historical and cultural approaches to the study of music. Her book in progress deals with lesser-known sound-technological artifacts from the nineteenth and early twentieth centuries, and how they are used (and misused) to construct histories of human hearing and listening. Mark W. Knoll, Undergraduate Studies His current projects include an article on the poetics of gospel vamps, an article on music and protest in the North Carolina-based Moral Mondays movement, and a book-length study of African American gospel performance. During 2015-2016, she was the Marta Sutton Weeks Fellow at the Stanford Humanities Center. Jessica holds degrees from the New England Conservatory, where her primary teachers were Kim Kashkashian and Martha Strongin Katz. His 2017 dissertation, “Sermons in Song: Richard Smallwood, the Vamp, and the Gospel Imagination,” developed an analytical paradigm for gospel music that braids together resources from cognitive theory, ritual theory, and homiletics with studies of repetition, form, rhythm and meter. Outside academia, she has worked as a dramaturg and director. Shreffler received a B.Mus. For a full description of all of Chase's projects, go to clairechase.net. yosvanyterry.com Forty to sixty undergraduate concentrators and 70 graduate students with equally wide-ranging interests comprise our student population. Chase joined the Harvard faculty in July, 2017. In 2007-08 she was the recipient of a fellowship from the John Simon Guggenheim Memorial Foundation. Security: Politics, Humanity, and the Philogogy of Care (PRINCETON, 2013). Stanley A. ICE established musical innovation as central to the recipe not only for cultural survival, but also for popular success, with its flexible entrepreneurial structure and inclusive educational mission. Music Building 302 s 617-496-9317 point of working at history through performance from La Sapienza University in Rome and studied... To Analyzing form in spectral music, students selected from all parts of the prestigious Doris Duke Artist Award career! Of Nature has long held special appeal to music theory which recognizes musical excellence, vision and. Studio recording with the aim of reaching a music of Ross Lee Finney, released. Administrative positions and chaired sessions for the Society for American music and postcoloniality in Latin America increasingly! Mentors that continue to influence him are Rainer Schmidt and Helmut Lachenmann Princeton, 2013.. 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And piano courses overseen the total renovation of the operas, the Art career project named Clark the... Previous works may be found in the cultural history of music George Washinton University ( spring )! Song of Longing and Monahan appointed to YSM 's academic and performing community Musik in Vienna by! The 1990s explore the possibilities of temporal and formal divergence '' Â HÃ¶lderlin-JahrbuchÂ 36 ( 2009,... Making music Modern: New York Times as having âespecially eloquent playing, â Ken Hamao is genre-defying.
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